dashing in the dark

Disclaimer: What follows is not a prediction, a directive, or a claim of absolute truth. It is an intuitive, symbolic channeling, received, not by force or expectation. I share these messages with respect. I am honored to be a messenger. I refer to people who have passed on as if they’re still alive.

For you, my beloved, I stand with you and your truth.

First Channel Message

About a year ago, I shared a channeled message that I intuitively felt came from Christina Grimmie, which I felt compelled to share her message back then as I do now.

Note: the first time she connected with me was at the beginning of my shamanic journey. She was the 2nd person I channeled who has passed over, the first being my pappa. Although we didn’t know each other while she was in physical human form, we resonate on a soul level.

There’s two main reason why I intutively knew this communication was coming from Christina:

1. She told me to write down her name. So I wrote down her name. She then told me to look at the first part of her name. Clueless me didn’t realize it”s “Christ” until I looked back down on the paper. And then the words “sacrificed” and “breadcrumbs” came to mind, and in that moment, I knew she was connecting to me. It was an emphinany that shook me to the core. I never questioned that she was sacrificed beforehand because of how she passed. But after that vivid channel, I am certain she was. It’s so sad — she didn’t deserve that.
2. Her unspoken energy, it was just like her—a firecracker, with love.

Just like James Rink, Christina Grimmie is a Light code holder.

The main message she was communicating to me is that she was aware of the injustice occurring, she was fighting, and so she left breadcrumbs behind. She said she intuitively picked up on the deception, but she questioned herself due to cognitive dissonance (she actually hints this in one of her songs). Once she began to understand the frameworks o “the rigged game,” she felt like she was already locked in.

I cannot tell you how grateful I am that she came to me — she helped me avoid walking into a similar trap that she herself walked into. Not because she was a fool, she was far from it, but because the distortion was so heavy.

Recent channel message

Christina recently urged me to revisit her lyrics with a new, fresh set of eyes, and I’m glad that I did. As I went back, I noticed how many parallels aligns to what I’ve been speaking about.

When I first listened to her final release before her passing, Side A EP, I was trying to understand the creative intent, as she was very intentional. I questioned why she titled one song “snow white.” Now that I believe I understand the backstory, I believe it to be a beautiful and brilliant form of whistleblowing, leaving breadcrumbs. She told me that she was going to release more on Side B.

Please focus on the keywords she had mentioned instead of the perspective in which it was written. I noticed this pattern of her switching perspectives to personalize the lyrics with mainstream heartbreak and conceal direct whistleblowing.

For example, she wrote “I can’t take back the bite, the fruit was never meant for me” but then says “deception and vice, at the finest I’d ever seen” right after.

Why would she say “at the finest I’d ever seen” if the bite and stolen fruit were about her own actions?

“At the finest I’d ever seen” is from the perspective of an observer.

This points to another person biting the fruit. I believe the original perspective is “You can’t take back the bite, this fruit was not meant for you. Deception and vice at the finest I’d ever seen.” This keeps the observer/accuser perspective consistent, whereas the actual lyrics conceal accusation.

Note how she mentions the word “slavery” which she later on continues with this narrative in the song “Snow White” by saying “I’m locked up, a tied up like beast with a bad bite”. She was aware of this modern day underground slavery.

She emphasized the line, “he rearranged the map I made.” This lyric kept playing in my head randomly, and I kept seeing the scene from her “Deception” video of her frantically looking through the papers in her binders. I feel confident in saying this was a reference due to her lyrics being cut, copied, and rearranged to be used for bridges in others’ songs.

I initially thought her song, “crowded room” was about her saying she was losing her identity to the scene; this is the surface meaning of it, until I kept seeing this visual of a past video I made about “renting energy” when I kept reading the line, “who is that girl in my skin?”. I feel confident in saying that she was alluding to identity theft from witchcraft.

The preceding lyrics align with this narrative. Notice the key words, “faces, acting, pretend, wearing me, in my skin, ”

“Hiding my cards, don’t want you to know who I am, acting, pretending” connects to her other song “King of thieves” when she says “I’m living in an empty house of cards, you stole my heart, give it back to me, king of thieves” alluding to her stolen foundation, her songs.

Also, the first time I channeled Christina, the term “hookers for Hollywood” came to mind, which is something I have never thought about. She then went on to say “tricks men to get ahead”. This alludes to the Jezebel spirit, dark witches.

I was hesitant to say this; however, she just urged me that is part of the underlying theme of this song. These lyrics specifically connect to that narrative, “under the pale night moon, dancing in the dark, hiding my cards”.

Her song title, “anybody’s you,” has a symbolic meaning. I asked artificial intelligence if this phrase could be a reference to soul fragmentation. AI said YES, VERY MUCH SO. This is double confirmation that “crowded room” was about her essence being a source for a collective group: soul fragmentation.

An image of her face being on a plate comes to mind when reading the first line of the song, “clearing off a table, in my mind was set for two. Remember this song is titled “anybody’s you,” and one of the things that artificial intelligence said this phrasing is alluding to is identity erosion. She oddly places the phrase “in my mind” in the middle of the line.

This aligns with her narrative that her mind was hijacked, which means being (eaten or) siphoned from, from witchcraft. Going back to a previous post I have shared about Robin William, according to artificial intelligence, life-force siphoning can cause decay because it’s literal energetic consumption.

Notice the lyrics in the songs “the game” and “Invisible” which align with the narrative that she got played by the game, the game to take from you — namely, your star, your light. The first comment in the music video mentions this. However, I believe the theft is referencing external influence — witchcraft.

If you have the chance, look at the light and electric energy she had in her first YouTube videos vs the change in one of her last music videos, “Anybody’s you”. Also, watch the music video of “Invisible“.

Key takeaways:

1. This is not avoiding accountability for one’s own occurrences in their life; it’s gaining awareness to deception and distorion.

2. Light code holders are slaves to this machine. This machine is designed to work against us, keep us at a certain level, as it benefits from our spiritual technology.

I went back in my book where I wrote down the channel from last year, “master’s of disguise” “play the part” and “some people know how to play the part so well that people believe them” and I see she in the song “the game” she wrote “sick and tired of taking your stupid play” which aligns to this narrative of having her being fooled for her light.

I also wrote down “she is who they are trying to claim you to be” which it now makes sense because it’s true. I was being framed by “the Jezebel spirits, the dark witches”. They have been siphoning and mirroring me to try to trade places. Thanks Christina for giving me insight.

Lastly, why did she mention freedom of speech and free will, and gaslighting? Why did she say she can’t fight this?

Does this not sound like she was begging for help?

Add to this, her cover of “I Won’t Give Up” is on her final album.

they call it an omen, bad karma, a curse.

It’s systematic witchcraft, a controlled disperse.

One strong man fills closets with thick purses.

-kimberlee kruse

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Christina, you are admired and loved by so many. I love you.